Chanel Come Fly With Me

Chanel

took us on a continental moody in a latest

haute couture

show, formulating a melodramatic oppulance jet ship in a guts of a Grand Palais in Paris, where a

sky blue spring

2012 collection was a in-flight entertainment.

Our take off time was a small after 10 a.m. on Tuesday, Jan 24, when a

Chanel Concorde

left a ground, firm for a heavens in a uncover that riffed on cerulean via - from a opening retro futurist stewardess looks to a blue cinematic sky seen by hulk windows on a plane, and even a event's invitation.

Even by Chanel's high standards this was an well-developed set - with a practical carrousel, anchored aluminum chairs, portholes and aeronautic shape. There were even dual ergonomic drinks wagons portion mango extract or water.

For spring, Chanel's couturier

Karl Lagerfeld

sees women in space age princess dresses cut with vast dip necklines, low hips and above a knee. Though being Chanel couture, a opening tone blocked combos developed into delightfully festooned combinations, where a beads and sequins fainted serve down a outfits. Whether in denim, jute, or super light nap boucle, a demeanour was elegantly edgy, even as strips of potion beads and glossy stones combined a posh allure.

There were brief black and white glimpses, a best of that was a memorably puff-shouldered cloak in fabric petals and buds that looked roughly organically cultivated. But from periwinkle galactic celebration dresses to ice blue columns with flared lapel jackets to a Chanel runner with egg-shell blue logo, one tone ruled today.

As a song rose to a thespian crescendo with a craft during high-altitude cruising speed, a collection soared with some superlatively dextrous anthracite suits where a haphazard clear chain suggested a stars during night. At that point, a 80-meter-long plane's tip window darkened during if nightfall and space age flappers sauntered along a aisles, their allure serve heightened by some shining micro-beret encrustations and punk nobleman spiky hair-dos pleasantness of stylists Sam McKnight and Kamo.

"Why blue? Because blue is a tone of a sky and it was time to fly," quipped commander Lagerfeld after holding his opening rather abruptly, as a paneled doorway slid open to exhibit a practical cockpit.

Though a collection will not arrange as one of his many insubordinate for Chanel, nor a many audacious, nonetheless a garments had a certain mode that was rarely engaging, and unequivocally rather unique. Plus as a visible feast, heady square of conform entertainment and deceit instance of this house's ability to theatre wrinkle-free events of good class, it was a sign than when it comes to smoothness and summary telling, Chanel is a best-oiled appurtenance in conform - one but any genuine peer.

(news.yahoo.com)