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PARK CITY, Utah
(AP)Sean Penn
's new film casts him as a former stone star who turns his behind on stardom and goes into outcast overseas.Penn can relate. He says he's suspicion mostly adequate about ducking out of a limelight.
"This Must Be a Place" had a U.S. premiere during a
Sundance Film Festival
, where Penn initial came 27 years ago with "The Falcon and a Snowman."Directed by
Paolo Sorrentino
, "This Must Be a Place" stars Penn asCheyenne
, a raven-maned, mascara-caked former cocktail idol whose demeanour was desirous byRobert Smith
of a Cure.After his father's death, mislaid essence Chey enne embarks on a highway outing to lane down a former Nazi who brutalized his father in a thoroughness camp.
The film opens in a U.S. in March.
(news.yahoo.com)
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LOS ANGELES (Reuters) - They finished a dash with their
California
beach-inspired entrance album. Nowindie stone band
Young a Giant are anticipating a rest of America will be swept divided by their untroubled strand sound.With their initial dual singles, up-tempo marks "My Body" and "Cough Syrup," garnering radio, radio and film play, a band, all in their early 20s, are kicking off their initial headlining debate on February8
"We're a small jumpy in a good way, we're vehement to do a initial large headlining run in theaters. It's extraordinary to see people already shopping tickets to these things. It takes a lot of weight off a shoulders as it's offered well," lead thespian
Sameer Gadhia
told Reuters.Formed in Irvine, California in 2004 as The Jakes, a rope went by a few choice changes before settling on
Young The Giant
, withGadhia
on vocals,Francois Comtois
on drums, Payam Doostzadeh on drum and Jacob Tilley and Eric Cannata on guitar.The rope available their self-titled initial album, expelled in 2011, while still in their teenagers vital together on a beach in Southern California. Songs like "Strings" and "12 Fingers" display a feel of strand vital while Gadhia's particular voice showcased opposite up-tempo guitar riffs.
"We were vital a untroubled lifestyle, we theory a remit from all a prior responsibilities that we had all had, and we only lived on a beach for a year. We didn't unequivocally have many income though we were essay song sometimes, and we were out on a beach only carrying a good time," pronounced Gadhia.
Their sound captivated a courtesy of fans opposite a world. British thespian Morrissey sang their praises and
MTV
comparison them as a "push" artist, that led to Young The Giant behaving a rough delivery of "My Body" during a 2011 MTV Video Music Awards."As distant as VMAs and
MTV
, privately VMAs, that's unequivocally what we consider helped all pull so quickly," pronounced Comtois.The "
Young a Giant
" manuscript appearance during No. 42 on a Billboard 200 chart, with Spin Magazine's David Menconi job a song "boldly aspiring anthems in need of a friendly arena." Rolling Stone's Matthew Perpetua called a singular "Apartment" beautiful, while Drowned in Sound's Alex Yau drew comparisons to Tennessee rope Kings of Leon.However, not all critics were won over by a songs. Pitchfork's Ian Cohen called a manuscript "corporate indie," while Paul Mardles during British journal The Observer described a rope "an malnutritioned Coldplay," giving a manuscript dual stars out of five.
CHASING A DARKER SOUND
Not wasting any time between records, a rope are already operative on their follow-up album, and formulation to preview some new component during their 40 and date U.S. tour.
"Definitely a initial record was a success though we were 18 or 19 years aged when we wrote that material. Now we've gifted a lot together, we've grown together as inpiduals, musicians and as a group, we don't feel like that was a best we could have done," pronounced Gadhia.
"I consider we unequivocally feel like we're in a component now and it took all that time to get to where we are right now."
While a initial record was an loyalty to a carefreee strand life, a second will try a some-more mature sound from a band.
"We've gifted a lot, we've trafficked so much. we consider there will be a small bit darker songs on this (second record), though we're not perplexing to totally misuse what we do naturally together," pronounced a lead singer.
Young The Giant, who Gadhia calls "an Internet band," are closely connected with their fans on amicable media platforms, and
hosted an online competition after fans sent them remixes of their songs.
"It's constantly startling to me how distant reaching a fan bottom is," pronounced a lead singer. "They're a ones that are always gripping in hold with us online and it's overwhelming to see that since we're many really from a Internet era of bands."
The rope expelled a giveaway EP of remixes by their Facebook page in response, including dual fan-made remix marks along with associate indie stone bands such as Two Door Cinema Club, Ra Ra Riot and Tokyo Police Club adding an electro-dance sound to their songs. Gadhia also voiced an seductiveness in operative with Brooklyn-based swat organisation Das Racist.
While a rope are austere they won't wandering too distant from rock, they might see some cross-genre collaborations down a line.
"Our low-pitched tastes have blending to a vicinity so we consider we wish to be means to move in elements of what we listen to now into a approach that we know what cocktail song is," pronounced Comtois.
(Editing by Jill Serjeant)
(news.yahoo.com)
New York (TheWrap.com) -
JB Smoove
, whose standup special "That's How we Dooz It" debuts this weekend onComedy Central
, says comedians are like torturers."We always have bad intentions for a audience," says a "Curb Your Enthusiasm" star. "We wish we to laugh, though we also wish we to piss in your pants, we wish we to shit on yourself, we wish we to have a good-bad experience. You paid 10 dollars for that splash though we wish we to separate it out. We wish we to brief it on a table. We wish we to leave with contaminated pants and harm cheeks. We wish to harm we with laughter.
"It's like I'm a torturer in Gothic times," he adds. "I wish to woe we until we get out of we what we wish to get out of you."
Even Larry David isn't protected in his scenes with Smoove. The 47-year-old, innate Jerry Brooks, has played Larry's houseguest and consigliere,
Leon Black
, for a final 3 seasons of "Curb.""If we ever notice, infrequently Larry smirks a small bit?" he says. "That's since I'm perplexing to kill him. I'm perplexing to verbally kill you."
Improvisation is a pivotal to Smoove's comedy, not usually on "Curb," though also in standup sets he tries to personalize for any audience. "Curb" famously gives actors usually an outline of any episode, so they have to fill in a discourse themselves. But even an outline can be too many credentials for Smoove, who thrives on not meaningful what he'll do next.
That means entrance adult with lines like "That's how we dooz it, Larry" -- that desirous a pretension of his special -- off a tip of his head.
Smoove, who also appears in a film "We Bought a Zoo" and a arriving NBC sitcom "Bent," talked to TheWrap about improvising with David, audiences, and usually dual guys station on a corner.
TheWrap:
Larry David
was asked final week what creates him laugh, and he said, "JB Smoove... He got a partial usually by looking during me." Is that true? And who creates we laugh?Smoove: "That's really true. Because when we walked into a room to try-out ... we gave him accurately who we suspicion Leon was. we gave him a demeanour we suspicion a male like that would give him. A male that's jumping in feet initial to a opposite world. I'm a hermit who's staying with an comparison Jewish guy. we usually gave him this humorous demeanour and we both started smiling a small bit. we consider we felt something. ... Larry told me after a initial day it felt like we'd been operative together for years. Sometimes we get that. You get propitious sometimes.
"What creates me laugh? Larry creates me laugh. we was a large fan of a uncover before we was on it. ... we used to giggle my donkey off during Larry David's TV show."
The Wrap: Do we find that a things that make we giggle in your bland life are a same things that make your audiences laugh?
Smoove: "I do. we consider what we do in my behaving universe and what we do in my standup universe is move adult a code that we wish to move across. Once we figure out your code and what we do, it's kind of easy during that. You finish adult removing your audience.
"Which is what happened with Larry ... we usually gave Larry a look. Which is humorous to me. I'm large on facial expressions and I'm large on mannerisms, that we find to be hilarious. I'll expostulate down a travel and I'll use improv. we will lay there during a red light and see dual guys articulate to any other, and we will usually start personification both characters. we can't hear them, though we can see their mouths moving, so I'll usually put difference in their mouths. I'll see dual white guys and I'll give them both hermit voices, like, "Hey man, what's goin' on with you, playboy?" It's usually a approach to keep we on your toes."
TheWrap: How do we come adult with a good Leon lines, like "I move a ruckus to a ladies" and "That's how we dooz it"?
Smoove: "Everything we hear me contend on a show, unless Larry needs some specifics as distant a instruction of a episode, all we hear as distant as Leonisms are true off my head. Those are me usually channeling Leon.
"When we get to a set and we put my Leon outfit on, we spin Leon. Everything we hear from "get in that ass," "I dooz it," "I move a ruckus" -- those are all things that we feel are things Leon would say. When I'm in Leon mode I'm in full Leon mode.
"All these are absolute statements that motivate. A male like Leon has really little. But he has a lot of pride. He can enthuse you. ... When he tells we something, we get it, though we don't get it. You get him in a approach since we know where he's entrance from. He's perplexing to assistance we in a usually approach he knows how to assistance you. A Leonism that fits a situation.
"I don't like to telegram anything with Leon. we like to come into a set kind of fresh. we don't wish my outline emailed to me a night before. Because I'll start meditative about it too much. It's a high we get from usually jumping into something but meaningful what I'm going to do yet. we get a best, many extemporaneous greeting we can give we Larry since I'm perplexing to make myself giggle also. we don't like to come onstage so prepared that I'm unprepared."
TheWrap: Where does your expostulate come from? You started in comedy clubs - is there a clarity of, 'You're not going to kick me'? Or is it usually that that's who we are?
Smoove: "That's usually who we am. But we also feel like, you're not going to kick me during anything. It's not that we can't kick me -- it's usually that what we do is so singular that we do what we do well. we tell people all a time: Do you. Do we (know yourself) so good that no one else can do we like we do you.
"I've had jokes stolen a thousand times. But if we can do it improved than me, we can have it. I've had jokes stolen from me in a bar when I'm subsequent on stage. And my mind will start to spin and a gears will start branch and I'll go onstage and emanate a whole new bit.
"You will never see a accurate same show. Because we work off what we hear from a audience, we work off a appetite from a audience, instead of operative off my memory and my jokes.
"It's kind of like a competition automobile driver. They never run a same competition twice. You have to change lanes. You have to cut somebody off once in a while. You don't wish to. But we have to cut somebody's donkey off. 'Cause we possibly expostulate by their donkey or go around them. And infrequently we have to expostulate by people.
"That's How we Dooz It" premieres Saturday during 10/9c on Comedy Central.
(Editing by Chris Michaud)
(news.yahoo.com)
JAIPUR, India (Reuters) - Best-selling Indian author
Chetan Bhagat
on Saturday criticised a support leant to authors whose books are criminialized for offending eremite communities, a day afterSalman Rushdie
cancelled atrip to India
citing threats opposite his life.Bhagat, whose 5 novels have sole around 6 million copies, cursed a banning of texts during a
Jaipur Literature Festival
though criticised people who broadcast their writers as heroes for support a right to giveaway speech."(
Banned books
) have harm people, they have harm Muslims," pronounced Bhagat. "I don't consider anyone should be banned... though let's not make heroes out of them."Rushdie pronounced on Friday that he was abandoning his revisit to a five-day festival due to assassination threats opposite him, following protests by some Indian Muslim groups during a invitation to a author of The
Satanic Verses
.Organizers of a festival pronounced in a matter late on Friday that they would not endure any authorised violations during a eventuality after dual authors review passages from
The Satanic Verses
, that is criminialized inIndia
, in support of Rushdie."Any comments done by a representatives simulate their personal, inpidual views and are not permitted by a festival, or attributable to a organizers," they wrote in a statement.
The announcement of The Satanic Verses over twenty years ago sparked a call of protests around a universe after Iranian personality Ayatollah Khomeini claimed that a novel's description of a soothsayer Muhammad angry Islam.
Bhagat, whose best-selling novels such as 2005's One Night @ a Call Centre have pided literary critics, has risen in inflection over a past year as an outspoken believer of a transformation headed by anti-corruption supporter Anna Hazare.
"Everyone has a right to hurt, though people don't have to," Bhagat added.
Oprah Winfrey, Michael Ondaatje and Ariel Dorfman will pronounce to over 70,000 visitors during a event, that aims to showcase a best of Indian, South Asian and general essay in one of a world's fastest-growing edition markets.
(Editing by Nick Macfie)
(news.yahoo.com)
LOS ANGELES (TheWrap.com) - While examination "
Contraband
," we was reminded of a new flitting ofLeonard Stern
, contriver of aMad Libs
celebration game. Mad Libs have entertained people for decades, and no doubt taughtcountless children
a tools of speech, though they clearly also desirous a screenplay for this dreary, general movie.
Mark Wahlberg
stars as a shining who is forced to dedicate to save a life of his usually to learn that he's being tricked by.Directed by
Baltasar Kormakur
(who played a lead purpose in "Reykjavik-Rotterdam," of that this film is a remake), "Contraband" follows a gone-legitChris Farraday
(Wahlberg), who's forced behind in a bootlegging diversion after a weaselly hermit of his mother Kate (Kate Beckinsale
) gets into difficulty with creepy rapist Tim Briggs (Giovanni Ribisi
, rocking a risible Cajun accent).The hop itself is usually about dual notches some-more crafty than a one in "Tower Heist" (that suggested crime felt like it was pieced together on a fly), a movement scenes aren't quite interesting, and a characters are all prosaic and uninteresting. And afterwards there's a predictability of a "surprise" villain; we won't spoil it here, though if we don't theory who it is good before a reveal, afterwards we unequivocally wish we enjoyed saying your really initial movie.
Wahlberg is clearly unqualified of giving a common opening -- they're possibly great, in cinema like "I Heart Huckabee's" or "The Departed" or "The Other Guys," or they're officious wretched, as in "Max Payne" and "The Happening" and "Four Brothers." Add "Contraband" to a latter list.
Diego Luna (as a twitchy Panamanian crime lord) and J.K. Simmons (as a humorless load boat captain) try valiantly to inject some hint of oddity into their cookie-cutter characters, that is some-more than can be pronounced for Beckinsale. Granted, she's saddled with a thanklessly tasteless "wife in peril" role, though if we suspicion she was phoning in her "Underworld" performances, afterwards we have not nonetheless begun to be wearied by her.
The film seems installed with missed opportunities: Wahlberg and his organisation are in a precipitate to get a tawdry income onto a boat in Panama before it takes off, though Kormakur (who also destined a indie "101 Reykjavik") doesn't supply a minute bit of ticking-clock suspense. Nor does he find anything fun or novel about his New Orleans setting, detached from a common zydeco-wedding and seedy-bar cliches.
First-time screenwriter Aaron Guzikowski throws in a crafty using wisecrack about Jackson Pollack, and takes us from a overpass down to a industrial inlet of a load ship, though those are a usually engaging tidbits "Contraband" has to offer. For a many part, this is a straight-to-DVD film that warranted a melodramatic recover usually by trait of the A-list cast.
(news.yahoo.com)